One can’t help thinking of Damian Williams again: “’I was just caught up in the rapture.” The hope and joy and rapture that flooded the romantic soul of the English observer is the stuff of the primitive sacred. The time was ripe for a sacred charade. Robespierre, at this point little more than a tool of the mob violence, obliged as well as he could. Wells writes:
[Robespierre] induced the Convention to decree that France believed in a Supreme Being … In June he celebrated a great festival, the festival of his Supreme Being. There was a procession to the Champ de Mars, which he headed, brilliantly arrayed, bearing a great bunch of flowers and wheat-ears. Figures of inflammatory material, which represented Atheism and Vice, were solemnly burnt; then, by an ingenious mechanism, and with some slight creakings, an incombustible statue of Wisdom rose in their place.[17]
Perhaps we can let the reference to “some slight creakings” serve to remind us how contrived and inevitably futile was Robespierre’s blatant attempt to bring into the cultural life of Christian France one of the gods whose long absence Nietzsche was later to lament.
Truth, Goodness, and Beauty - Marian Chivalry, Pro Christo et Ecclesia - Christo-centric Curmudgeonism - Domine, ad quem ibimus?
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