As I have been reviewing some of Girard and then reading your post, from 2 different perspectives, it was interesting reading about the triangle. Here as Chesterton writes: "...explanation of romantic fiction. Every story must have three characters. Chesterton identifies them as St. George and the Dragon and the Princess: “there must be the Princess, who is a thing to be loved; there must be the Dragon, who is a thing to be fought; and there must be St. George, who is a thing that both loves and fights.”
And Girard's observations of the triangle: "by analyzing the novelistic masterpieces (Cervantes, Stendhal, Proust and Dostoïevski), René Girard reveals a different mechanism for the human desire. This one would not fix itself in an autonomous way according to a linear path between the subject and an object, but by imitation of the desire of an Other, according to a triangular plan : subject - model - object."
"All power in heaven and on earth has been given to me. Go, therefore, and make disciples of all nations, baptizing them in the name of the Father, and of the Son, and of the holy Spirit, teaching them to observe all that I have commanded you. And behold, I am with you always, until the end of the age."
1 comment:
Good article.
And yes, I agree, sometimes you have to fight.
As I have been reviewing some of Girard and then reading your post, from 2 different perspectives, it was interesting reading about the triangle. Here as Chesterton writes: "...explanation of romantic fiction. Every story must have three characters. Chesterton identifies them as St. George and the Dragon and the Princess: “there must be the Princess, who is a thing to be loved; there must be the Dragon, who is a thing to be fought; and there must be St. George, who is a thing that both loves and fights.”
And Girard's observations of the triangle: "by analyzing the novelistic masterpieces (Cervantes, Stendhal, Proust and Dostoïevski), René Girard reveals a different mechanism for the human desire. This one would not fix itself in an autonomous way according to a linear path between the subject and an object, but by imitation of the desire of an Other, according to a triangular plan : subject - model - object."
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